ÃÖ°íÀÇ Å¬·¡½Ä ·¹ÆÛÅ丮·Î µ¹¾Æ¿Â ¹ÙÀ̿ø° ºñ¸£Åõ¿À¼Ò¿Í õ»óÀÇ ¾Ó»óºí ±âµ· Å©·¹¸Ó & Å©·¹¸Þ¶óŸ ¹ßƼī Gidon Kremer & Kremerata Baltica ¡®¹ÙÀ̿ø°°èÀÇ Çõ¸í°¡¡¯ ¡®½Åµé¸° ¿¬ÁÖÀÚ¡¯ ¡®ÆÄ°¡´Ï´ÏÀÇ È¯»ý¡¯ µî ¼ö¸¹Àº ¾ÖĪ°ú Âù»ç, Á¸°æÀ» ÇÑ ¸ö¿¡ ¹Þ°í ÀÖ´Â ±âµ· Å©·¹¸Ó¿Í ¼¼°èÀûÀΠüÀÓ¹ö ¿ÀÄɽºÆ®¶ó Å©·¹¸Þ¶óŸ ¹ßƼī°¡ 3³â ¸¸¿¡ ³»ÇÑ°ø¿¬À» °®´Â´Ù. 10¿ù 16~17ÀÏ ¿¹¼úÀÇÀü´ç ÄܼƮȦ¿¡¼ ¿¸®´Â À̹ø °ø¿¬Àº ±âµ· Å©·¹¸Ó°¡ 1997³âºÎÅÍ À̲ø°í ÀÖ´Â À¯·´ÀÇ ´ëÇ¥ ¾Ó»óºí Å©·¹¸Þ¶óŸ ¹ßƼīÀÇ Ã¢´Ü 15Áֳ⠱â³äÇØÀ̱⵵ ÇØ Àǹ̰¡ ´õ¿í ³²´Ù¸£´Ù. ¶ÇÇÑ ¡°..
2012³â 10¿ù 16ÀÏ (È)
¾ÈÅæ ºê·çÅ©³Ê - Çö¾Ç 5ÁßÁÖ FÀåÁ¶, WAB 112 Áß 3¾ÇÀå ¾Æ´ÙÁö¿À
Anton Bruckner - Adagio from String Quintet in F Major, WAB 112
¸ðÀ̼¼ÀÌ ¹ÙÀκ£¸£±× -±³Çâ°î Á¦ 10¹ø a´ÜÁ¶, Op. 98
Mieczyslaw Weinberg - Symphony No.10 a minor, Op.98
I. Concerto Grosso
II. Pastoral
III. Canzone
IV. Burlesque
V. Inversion
·Îº£¸£Æ® ½´¸¸ - ÿ·ÎÇùÁÖ°î a´ÜÁ¶, Op. 129
¹ÙÀ̿ø°°ú Çö¾Ç ¿ÀÄɽºÆ®¶ó ¹öÀü (Æí°î: Rene Koering)
Robert Schumann - Cello Concerto in a minor Op.129
Version for violin and string orchestra (Arr. Rene Koering)
I. Nicht zu schnell
II. Langsam
III. Sehr lebhaft
µå¹ÌÆ®¸® ¼î½ºÅ¸ÄÚºñÄ¡ - ¹ÙÀ̿ø° ¼Ò³ªÅ¸ GÀåÁ¶, Op. 134
¹ÙÀ̿ø°, Çö, Ÿ¾Ç±â¹öÀü (Æí°î: Mikhail Zinman, Andrei Pushkarev)
Dmitri Shostakovich - Sonata for violin and piano G Major, Op.134
orchestration for violin, strings and percussion (Arr. Mikhail Zinman and Andrei Pushkarev)
I. Andante
II. Allegretto
III. Largo - Andante
2012³â 10¿ù 17ÀÏ (¼ö)
¾Æ¸£º¸ Æи£Æ® - ¹ÙÀ̿ø°, Çö¾Ç±â, ºñºê¶óÆùÀ» À§ÇÑ ¡®ÆÄ»çÄ®¸®¾Æ¡¯
Arvo Part - ¡®Passacaglia¡¯ for violin, strings, and vibraphone
±â¾Ç Æí¼ºÀÇ ±â¹ý (The Art of Instrumentation) ¹ßÃé°î_Çö´ë ÀÛ°î°¡µéÀÇ ¹ÙÈå °Ç¹Ý ÀÛÇ° À籸¼º
(J.S. ¹ÙÈå¿Í ±Û·» ±¼µå¿¡°Ô ÇåÁ¤µÈ °î: Å©·Ðº£¸£Å© ¾ÆÄ«µ¥¹Ì¿¡¼ À§ÃËÇØ 2010³â ÃÊ¿¬)
Excerpts from <The Art of Instrumentation> Dedicated to J.S. Bach and Glenn Gould
¹ß·»Æ¾ ½Çº£½ºÆ®·ÎÇÁ - J.S. ¹ÙÈå¿¡°Ô ÇåÁ¤µÈ ¹ÙÀ̿ø°°ú ¿¡ÄÚ »ç¿îµå¸¦ À§ÇÑ °î
Valentin Silvestrov - ¡®Dedication to J.S.Bach¡¯ for violin and ¡®echo¡¯ sounds
¾Ë·º»ê´õ ¶ó½ºÄ«ÅäÇÁ - Æò±ÕÀ² Ŭ¶óºñ¾î°îÁý Áß ÀüÁÖ°î°ú Ǫ°¡ D´ÜÁ¶
Alexander Raskatov - Prelude and Fugue in d minor from the Well-Tempered Clavier, BWV 851
·¹¿À´Ïµå µ¥»þÆ®´ÏÄÚÇÁ - Æĸ£Æ¼Å¸ 6¹ø e´ÜÁ¶, BWV 830 Áß »ç¶ó¹æµå
Leonid Desyatnikov - Sarabande from Partita No. 6 in e minor, BWV 830
½´Å×¹Ý ÄÚ¹ÙÄ¡ Ƽũ¸¶À̾î - ±¼µå dzÀ¸·Î : °ñµåº£¸£Å© º¯ÁÖ°î No. 30, 4, 18, 26 °ú ¾Æ³îµå ¼éº£¸£Å©ÀÇ Op.19¿Í Op.47 Áß ¼¼ °³ÀÇ °£ÁÖ°î
Stevan Kovac Tikmayer - ¡®After Gould¡¯: Goldberg Variations Nos. 30, 4, 18 and 26, and Three Intermezzi from op. 19 and op. 47 of Arnold Schoenberg
ºòÅ丣 Å°½Ã³× - °ñµåº£¸£Å© º¯ÁÖ°î Áß ¾Æ¸®¾Æ
Victor Kissine - Aria from the Goldberg Variations
·çµåºñÈ÷ ¹Ý º£Å亥 - Çö¾Ç 4ÁßÁÖ 14¹ø C»þÇÁ ´ÜÁ¶, Op. 131
Çö¾Ç ¿ÀÄɽºÆ®¶ó ¹öÀü (Æí°î: ±âµ· Å©·¹¸Ó& ºòÅ丣 Å°½Ã³×)
Ludwig van Beethoven - String Quartet No.14 in C sharp minor, Op. 131
- Version for string orchestra by Gidon Kremer and Victor Kissine
I. Adagio ma non troppo e molto espressivo
II. Allegro molto vivace
III. Allegro moderato
IV. Andante ma non troppo e molto cantabile - Piu mosso - Andante moderato e lusinghiero - Adagio - Allegretto - Adagio, ma non troppo e semplice - Allegretto
V. Presto
VI. Adagio quasi un poco andante
VII. Allegro