ÁÖ¼¼Æä Ÿ¸£Æ¼´Ï ¹ÙÀ̿ø°°ú ÅëÁÖÀúÀ½À» À§ÇÑ ¼Ò³ªÅ¸ g´ÜÁ¶, B.g5 ‘¾Ç¸¶ÀÇ Æ®¸±’
Giuseppe Tartini Sonata for Violin and Continuo in g minor, B.g5 ‘Devil’s Trill’
Larghetto
Allegro energico
Grave-Allegro assai-Adagio
·çÆ®ºñÈ÷ ÆÇ º£Å亥 ¹ÙÀ̿ø°°ú ÇǾƳ븦 À§ÇÑ ¼Ò³ªÅ¸ Á¦2¹ø AÀåÁ¶, Op.12/2
Ludwig Van Beethoven Sonata for Violin and Piano No.2 in A Major, Op.12/2
Allegro vivace
Andante piu tosto Allegretto
Allegro piacevole
I N T E R M I S S I O N
¿ÜÁ¨ ÀÌÀÚÀÌ ¹ÙÀ̿ø° µ¶ÁÖ¸¦ À§ÇÑ ¼Ò³ªÅ¸ Á¦2¹ø a´ÜÁ¶, ‘°¹Ú’, Op.27/2
Eugene Ysaye Sonata for Violin Solo No.2 in a minor, ‘Obsession’, Op.27/2
Obsession: Prelude
Malinconia
Danse des Ombres:Sarabande
Les Furies
ǥƮ¸£ Àϸ®Ä¡ Â÷ÀÌÄß½ºÅ° ¹ÙÀ̿ø°°ú ÇǾƳ븦 À§ÇÑ ¿ÐÃ÷-½ºÄɸ£ÃÊ, Op.34
Pyotr Il’yich Tchaikovsky Waltz-Scherzo for Violin and Piano, Op.34
¿ÜÁ¨ ÀÌÀÚÀÌ ¹ÙÀ̿ø°°ú ÇǾƳ븦 À§ÇÑ Ä«¹ÌÀ¯ »ý»ó ¿ÐÃ÷ Çü½ÄÀÇ ¿¡Æ¢µå¿¡ ÀÇÇÑ Ä«ÇÁ¸®½º, Op.52
Eugene Ysaye Caprice d£§apres l£§etude en forme de Valse de Camille Saint-Saens for Violin and Piano, Op.52