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2020/07/10 ~ 2020/07/10 |
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Å×³Ê ¾çÀÎÁØÀº ¼¿ï´ëÇб³ À½¾Ç´ëÇÐ ¼º¾Ç°ú ÀçÇÐ ½ÃÀý ÀÌ¹Ì ¿¹¼úÀÇ Àü´ç ¿ÀÆä¶ó <¸¶¼úÇǸ®>ÀÇ 'Ÿ¹Ì³ë'¿ªÀ¸·Î ¹ßŹµÇ¾î ±× ½Ç·ÂÀ» ÀÔÁõ ¹Þ¾Ò´Ù. Á¹¾÷ ÈÄ µµ¹ÌÇÏ¿© ¹Ì±¹ ÅÛÇôëÇб³¿¡¼ ¼®»ç ÇÐÀ§ (Master of Music)¸¦ ÃëµæÇÏ¿´°í, À½¾Ç»ç¸¦ ºÎÀü°øÇϸç The Castrati and the Aesthetics of Baroque Bel Canto Singing: Influences on the Romantic Tenor (Ä«½ºÆ®¶óÅä °¡¼ö¿Í ¹Ù·ÎÅ© º§ ÄÅä ¹ß¼ºÀÇ ¹ÌÇÐ: ³¶¸¸½Ã´ë Å׳ʷÎÀÇ ¿µÇâ) ¶ó´Â ³í¹®À¸·Î µ¿ ´ëÇп¡¼ ¹Ú»ç ÇÐÀ§ (Doctor of Musical Arts)¸¦ ÃëµæÇϸç Çй®ÀûÀÎ ±â¹ÝÀ» ´ÙÁö°Ô µÈ´Ù.ÅÛÇôëÇб³..
L. v. Beethoven (1770-1827) Adelaide
Der Kuss
H. Duparc (1848-1933) L’invitation au Voyage
Phidylé
La Vie Antérieure
Le Manoir de Rosemond
R. Quilter (1877-1953)
Come away, death
O mistress mine
Blow, blow thou winter wind
Intermission
O. Respighi (1879-1936) Nevicata
Pioggia
Nebbie
Á¶¼º±â (1968- ) »ê±×´Ã
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