ÿ¸®½ºÆ® ³ëÀº°æÀº ¿¹¿øÇб³¿Í ¼¿ï¿¹¼ú°íµîÇб³¸¦ °ÅÃÄ ¼¿ï´ëÇб³ À½¾Ç´ëÇÐÀ» ÿ·Î°ú ¼ö¼® ÀÔÇÐÇÏ¿´´Ù. Á¹¾÷ ÈÄ ¼¼°èÀûÀΠÿ¸®½ºÆ® ·çÀ̽º Ŭ¶ó·¿°ú ½ºÆäÀÎ ¸®¼¼¿ì À½¾Ç¿ø(Conservatori del Liceu)¿¡¼ ¼öÇÐÇÏ¿´À¸¸ç, ÀÌÈÄ µµ¹ÌÇÏ¿© ´º À×±Û·£µå À½¾Ç¿ø(New England Conservatory) ¼®»ç°úÁ¤À» ÀåÇлýÀ¸·Î ÀÔÇÐ ¹× Á¹¾÷ÇÏ¿´À» »Ó¸¸ ¾Æ´Ï¶ó ¹Ì½Ã°£ ÁÖ¸³´ë(Michigan State University) ¹Ú»ç°úÁ¤À» Àü¾×ÀåÇлýÀ¸·Î ÀÔÇÐ ¹× Á¹¾÷ÇÏ¸é¼ Àü¹®¿¬ÁÖÀڷμÀÇ ±â¹ÝÀ» ´ÙÁ³°í ¹Ú»çÇÐÀ§ ³í¹®ÀÎ “Gaspar Cassado; Spanish-Catalan identity in Suite for Violoncello”¸¦..
C. Saint-Saens (1835 ? 1921)
Sonata for Cello and piano No. 1 in c minor, Op.32
Allegro
Andante tranquillo sostenuto
Allegro moderato
B. Martin? (1890 ? 1959)
Variation on a Theme of Rossini for Cello and Piano, H. 290
Intermission
D. Schostakovich (1906 ? 1975)
Sonata for Cello and Piano in D minor, Op. 40
Allegro non troppo
Allegro
Largo
Allegro