Ȩ > °ø¿¬¸ÞÀÎ > Ŭ·¡½Ä/¿ÀÆä¶ó > Ŭ·¡½Ä

¼®À¯°æ ¾ç°í¿ì´Ï ÇÇ¾Æ³ë µà¿À¿¬ÁÖȸRuhe
¼¼ºÎÀ帣 Ŭ·¡½Ä/¿ÀÆä¶ó > Ŭ·¡½Ä
ÀϽà 2017/02/17 ~ 2017/02/17
Àå¼Ò ±ÝÈ£¾ÆƮȦ
Ã⿬ ¼®À¯°æ
°ü¶÷µî±Þ ¸¸ 7¼¼ÀÌ»ó
°ü¶÷½Ã°£ 90ºÐ (ÀÎÅÍ¹Ì¼Ç : 15ºÐ)
°ø¿¬ÆòÁ¡
°ø¿¬Æò°¡
¿¹¸Å·©Å·

  • ±âº»¼Ò°³
  • °ø¿¬¼Ò°³
  • Ã⿬Áø/Á¦ÀÛÁø
  • °ü·Ã°ø¿¬
  • ¿µ»ó/Æ÷Åä
  • °ü·Ã±â»ç

ÇÁ·Î±×·¥

Johann Sebastian Bach (1685~1750) Chaconne for Two Pianos (Four Hands)

Georges Bizet (1838~1875) - Carmen Fantasy (arr. G. Anderson)

William Bolcom (1938~ ) The Garden of Eden (for two pianos, four hands)
¥° Old Adam
¥± The Eternal Feminine
¥² The Serpent¡¯s Kiss

¡´Intermission¡µ

Johannes Brahms (1833~1897) Sonata in f minor, Op.34
(originally for piano quintet)
¥° Allegro non troppo
¥± Andante, un poco adagio
¥² Scherzo: Allegro
¥³ Finale: Poco sostenuto Allegro bob troppo Presto, non troppo

Ã⿬Áø

ÇÇ¾Æ³ë ¼®À¯°æ

¸íÀå¸é/¸í´ë»ç

±Û¾²±â
°ü·Ã ±ÛÀÌ ¾ø½À´Ï´Ù. µî·ÏÇØÁÖ¼¼¿ä.

¸®ºä/ÆòÁ¡

Ç÷¹ÀÌDBÀÇ ¸ðµç °ø¿¬DB´Â ´ÙÀ½, ³×ÀÌÆ® µî Æ÷ÅлçÀÌÆ® °ø¿¬Á¤º¸·Î ¿¬µ¿µÇ°í ÀÖ½À´Ï´Ù.