À̾߱Ⱑ ÀÖ´Â ±³°ú¼ À½¾Çȸ ÇöÀç ±¹³»¿Í ÇØ¿Ü¿¡¼ È°¹ßÇÏ°Ô È°µ¿ ÁßÀÎ µÎ ÆÀÀ» ÃÊûÇÏ¿© ´Ù¾çÇÑ ÀÛ°î°¡µéÀÇ °îµé·Î ¾ÆÄ«µ¥¹ÍÇÑ ¿¬ÁÖ¸¦ ¼±º¸ÀÏ À̹ø ¿¬ÁÖȸ´Â ÃÊÁß°í ÇлýµéÀÌ À½¾Ç±³°ú¼¿¡¼ º¸¾Ò´ø °îµéÀ» ¸ð¾Æ °¢ °îµéÀÇ Çؼ³°ú ÇÔ²² »ý»ýÇÑ ¶óÀ̺ê·Î °¨»óÇÒ ¼ö ÀÖ´Â ½Ã°£ÀÌ µÉ °ÍÀ̸ç, ¾î·Æ°Ô ´À²¸Áú ¼ö Àִ Ŭ·¡½Ä À½¾ÇÀ» ÇÑÃþ ´õ ½±°í Àç¹ÌÀÖ°Ô ±¸¼ºÇÏ¿© Çлýµé¿¡°Ô Ŭ·¡½ÄÀÇ Àç¹Ì¿Í Èï¹Ì¸¦ °¡Á®´ÙÁÖ±æ ±â´ëÇÑ´Ù.
È«³ÆÄ
°íÇâÀÇ º½
L. v. Beethoven
Fur Elise, WoO 59
¿¤¸®Á¦¸¦ À§ÇÏ¿©
Piano Áø¿µ¼±
E. Elgar
Salut d£§Amour, Op. 12 for Cello Solo
»ç¶ûÀÇ Àλç, ÀÛÇ°¹øÈ£ 12
Cello Á¤±¤ÁØ
C. Saint-Saens
Danse Macabre for Violin Solo
Á×À½Àǹ«µµ
Violin Á¤ÁøÈñ
G. F. Handel - J. Halvorsen
Passacaglia in G Major for Violin and Cello
ÆÄ»çÄ®¸®¾Æ
Violin Á¤ÁøÈñ / Cello Á¤±¤ÁØ
¹ÚÁ¾¿±
ÀÌÅ»¾Ö¼ö (from º»Á¶ ¾Æ¸®¶û)
G. Bizet
Carmen Fantasy
Ä«¸£¸à ÆÇŸÁö
A. Piazzolla
The Four Seasons of Buenos Aires ñé
ºÎ¿¡³ë½º ¾ÆÀÌ·¹½ºÀÇ »ç°è Áß