°Ô¿À¸£Å© ÇÁ¸®µå¸®È÷ Ç George Frederick Handel
¿ÀÆä¶ó ‘ÁÙ¸®¿À ü»ç·¹’ Áß ‘´ç½ÅÀÌ °È´Â °÷ ¸¶´Ù’, HWV58
“Where’er Your Walk” from Opera “Semele”, HWV58
¿À¶óÅ丮¿À ‘Á¶½´¾Æ’ Áß ‘³»°¡ À¯¹ßÀÇ ¸®¶ó¸¦ °¡Á³´Ù¸é’, HWV64
“O had I Jubal’s lyre” from Oratorio “Joshua”, HWV64
ÇÁ¶õÃ÷ ½´º£¸£Æ® Franz Schubert
°¡´Ï¸ÞÆ®, Ganymed, D.544
¼Û¾î, Die Forelle, D.550
º½¿¡, Im Frühling, D.882
Ŭ·Îµå µåºß½Ã Claude Debussy
¹«¾ð±Ø, Pantomime, L.31
´Þºû, Claire de lune, L.32
»ß¿¡·Î, Pierrot, L.15
ȯ¿µ, Apparition, L.53
I N T E R M I S S I O N
¼¼¸£°ÔÀÌ ¶óÈ帶´Ï³ëÇÁ Sergey Rachmaninov
ÀÌ °÷ ¾ó¸¶³ª ¾Æ¸§´Ù¿î°¡, How Fair this Spot, Op.21/7
²Þ, The Dream, Op.38/5
³ë·¡ÇÏÁö ¸¶¿À. ¾Æ¸§´Ù¿î ÀÌ¿©, Do Not Sing, My Beauty, Op.4/4
¾Ë¹Ý º£¸£Å© 7°³ÀÇ Ãʱ⠰¡°î Áß
Alban Berg 7 Early Songs(Excerpts)
¹ã, Nacht
³ªÀÌÆðÔÀÏ, Die Nachtigall
²Þ ¼Ó¿¡¼ ¿Õ°üÀ» ¾²°í, Traumgekrönt
»ç¶ûÀÇ ³ë·¡, Liebesode
°¡¿¡Å¸³ë µµ´ÏÁ¦Æ¼ ¿ÀÆä¶ó ‘¶÷¸Þ¸£¹«¾îÀÇ ·çÄ¡¾Æ’ Áß ‘ÁÖÀ§´Â ħ¹¬¿¡ Àá±â°í’
Gaetano Donizetti “Regnava nel silenzio” from the Opera “Lucia de Lammermoor”