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Ŭ·¡½Ä/¿ÀÆä¶ó > Ŭ·¡½Ä |
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2025/06/13 ~ 2025/06/13 |
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Violinist ¹ÚÀçÁØ´Ùä·Î¿î À½»ö°ú µ¶Ã¢ÀûÀÎ Çؼ®À¸·Î ÁÖ¸ñ¹Þ´Â ¹ÙÀ̿ø®´Ï½ºÆ® ¹ÚÀçÁØÀº Çѱ¹¿¹¼úÁ¾ÇÕÇб³¿¹ºñÇб³¸¦ ¼ö·áÇÏ°í ¸¸ 16¼¼ÀÇ ³ªÀÌ·Î Çѱ¹¿¹¼úÁ¾ÇÕÇб³(Korea National University ofArts)¿¡ ¿µÀç ÀÔÇÐÇÏ¿´´Ù.Á¹¾÷ ÈÄ µµµ¶ÇÏ¿© µ¶ÀÏ ¶óÀÌÇÁÄ¡È÷ ±¹¸³À½´ë(Hochschule für Musik und Theater „FelixMendelssohn Bartholdy“ Leipzig)¿¡¼ ¼®»ç°úÁ¤(Master)À» Á¹¾÷ÇßÀ¸¸ç µ¿ ´ëÇÐ ÃÖ°í¿¬ÁÖÀÚ°úÁ¤(Meisterklassenexamen-Solist)¿¡ ÀÔÇаú µ¿½Ã¿¡ Teaching Assistant·Î È°µ¿,DAAD-Meisterklassen-Projekt ÀåÇбÝÀ» ¹Þ¾ÒÀ¸¸ç ¸¸ÀåÀÏÄ¡ ÃÖ°íÁ¡À¸·Î ..
Hildegard von Bingen (1098-1179)
Spiritus Sanctus vivificans D. 157r, R 466v
Georg Friedrich Händel (1685-1759) – Johan Halvorsen (1864-1935)
Sarabande con Variazioni for Violin and Viola
Robert Schumann (1810-1856)
Sonata for Violin and Piano No. 3 in a minor, WoO 27
I. Ziemlich langsam
II. Scherzo: Lebhaft
III. Intermezzo: Bewegt, doch nicht zu schnell
IV. Finale: Markirtes, ziemlich lebhaftes Tempo
Intermission
Heinrich Wilhelm Ernst (1814-1865)
The Last Rose of Summer for Solo Violin
Richard Strauss (1864-1949)
Sonata for Violin and Piano in E-flat Major, Op.18
I. Allegro, ma non troppo
II. Improvisation: Andante cantabile
III. Finale: Andante – Allegro