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 1975³â »ýÀÎ ÁÙ¸®¾Æ Á¶(Julia Cho)´Â Çѱ¹°è À̹Π°¡Á¤ Ãâ½ÅÀ¸·Î ¹Ì±¹ ·Î½º¾ØÁ©·¹½º¿¡¼­ ž ¹Ì±¹ÀÇ Èñ°î ÀÛ°¡ÀÌ´Ù. ¿ìÁÖÇ×°øȸ»ç¿¡¼­ ±Ù¹«ÇÏ´Â ¾Æ¹öÁöÀÇ Á÷¾÷ ¶§¹®¿¡ ¾Æ¸®Á¶³ª¿¡¼­ ¼ºÀåÇß°í ¾Æ¸®Á¶³ªÀÇ »ç¸·Àº Á¾Á¾ ±×ÀÇ ÁÖµÈ ¹è°æÀÌ µÈ´Ù.
“BFE” “µà¶û°íDurango”, “»ó½ÇÀÇ °ÇÃàThe Architecture of Loss”, “ÇÇ¾Æ³ë ¼±»ý´ÔThe Piano Teacher”, “·©±ÍÁö ¾ÆÄ«À̺êThe Language Archive”, “°¡ÁöAubergine” µî ´Ù¼öÀÇ ÀÛÇ°ÀÌ ÀÖ´Ù. 2004³â “BFE”·Î L. Arnold Weissberger »óÀ» ¼ö»óÇß°í, 2005³â “µà¶û°í”·Î Barrie and Bernice Stavis Playwriting »óÀ» ÅÀ°í, ±×ÇØ À¯¸Á ½ÅÁø ÀÛ°¡·Î »ÌÇô Claire Tow »óÀ» ¹Þ¾Ò´Ù. “·©±ÍÁö ¾ÆÄ«À̺ꔷΠ2009³â Susan Smith Blackburn »óÀ» ÅÀ°í 2017sus “°¡Áö”·Î Will Glickman »óÀ» ÅÀ´Ù.

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